Thursday 31 May 2012

Contextual Studies - 20th Century

1915-1945

Important Facts
  1. The Great War and the Spanish Flu pandemic (1918) had caused havoc throughout europe
  2. The Great Depression after the Wall Street Crash in America 11 years later in 1929
  3. Germany was on a dangerous path of right wing and racist tendencies after Hitler came to power in 1933
  4. There was a feeling of distrust and suspicion from western capitalist countries towards Russia.
  5. And yet in the midst of all this misery and instability Modernism was beginning to flourish. 
This "toilet seat" shows socio-political history and ideology in the 20th century
Right Wing Ideology

  1. Law of the jungle, only the strong survive.
  2. In it's most extreme form it is racist, elitist, white suprematist and aryan. eg. Nazi's, BNP 
  3. Capitalism, entrepreneurs and risk takers make money in the stock market and from employing people.
  4. Only strong and robust companies and workforces survive 

Left Wing Ideology

  1. A sharing of resources amongst all, companies essentially co-operatives.
  2. Socialism, and the more extreme form: Communism - a belief that private ownership should be abolished and all work and property should be shared amongst all.
  3. Which sounds nice but in extreme cases means the state controls all aspects of life.

Dadaism

A responce to the "morrally corrupt" western world after the war.
Dadaism pokes fun at modern life and culture and sees these things as a joke.
Dada is french for hobby horse an also could be seen as resembling baby talk, although the name was chosen sepcificly to make no sense at all.

Dadaism was satirical, whitty, rude and very infuential. 

Perhaps the most famous dada art, Fountain signed R. Mutt caused much controversy.

Collage by Hannah Hoch
The Birth of Modernism

  1. The industrial revolution with huge advances in technology including mechanization which lead to advances in weaponry that in turn caused the biggest mass slaughter the world had ever seen.
  2. Despite this terrible killing spree that was the second world war people were not put of modernisation, in fact they embraced it, celebration what humanity could achieve. 
Modernist Aesthetics

  1. A reaction to the over the top decorative Art Nouveau 
  2. Plain geometric forms over ornamentation
  3. Form follows function - Bauhaus 
  4. Simplicity and eventually minimalism
  5. Reason/logic/truth 
  6. Conclusions and outcomes very important

Criticisms at the time were that all modernists were white, middle class, capitalist men. And that it was a form of Elitism or snobbery.

Bauhaus

Walter Gropius greatly affected by the war wanted to make a school where industrial methods and technology were used for creative and social practises not destructive ones.

He believed that the decoration of buildings was the most noble form of fine art, and greatly believed in the importance of crafts and hands on work. As is stated in the Bauhaus Manifesto.

 'Let us desire, conceive and create the new building of the future together'

The Bauhaus building


Walter Gropius's house

The Bauhaus curriculum combine theoretical education and practical training in the workshops

Notable Bauhaus Design

Poster Art by El Lissitzky

Double Portrait - Moholy Nagy

Alma Buscher, 'Ship' Building Toy

Another piece by Moholy Nagy

Bauhaus Kitchen

Wilhelm Wagenfeld - table lamp

De Stijl – Dutch Modernism    

•New, utopian ideal of spiritual and physical harmony and order
•Advocated pure abstraction – only essential form and colour
•Primary colours plus black and white
•Simplified visual compositions of the vertical and horizontal, squares and rectangles

Piet Mondrian: Composition with Gray and Light Brown

Theo Van Doesburg - Opus 18
Early Modernist Design


Werksentwurf Mücke-Melder 

30s telephone



Art Deco


Art Deco differed from other Modernist movements in that it’s aim was decorative rather than functional and minimalist, and lacked a manifesto on social philosophies. However, the structure of Art Deco forms are based on mathematical geometric shapes.
It is an eclectic style of elegant and glamorous modernism. Eclectic in terms of its influences: neo-classicism, constructivism and shows elements taken from Egyptian and Aztec forms.
Started in Paris in the 1920s it flourished internationally in the 30s. 


Empire State & Chrysler Building

art deco shell chair

American Design Consultant

Raymond Loewy with his steam locomotive
Film




The Futurist Film Manifesto states 'the importance of people and the significance of the everyday' which i think really stands out.

Here is a photo of death in Ingmar Bergman's film The Seventh Seal, which is extremely stylized and modern, it's like satan designed by bauhaus


from the 40s so a bit later

Rationing 
  • Rationing: almost all factory production was concentrating on the war – lots of things were in short supply (food & other household goods)
  • Clothing rationing began 1st June 1941
  • Clothes bought from shops were designed to use as little material as possible…
  • Women were encouraged to repair and remake old clothes. Old curtains were cut up to make skirts and dresses. Unwanted jumpers were unraveled and knitted into something else
  • Make-up and stockings were hard to come by. Some would draw a line down the back of the legs, other’s would use gravy browning to stain the legs…


Deaths – World War 2

  • Russia – 27 million (12 military, 15 civilian)

  • Germany – 5.69 million (3.25 military, 2.44 civilian)

  • GB – 495k (403k military, 92k civilian)

  • USA – 413k (407 military, 6k civilian)\
As you can see many more Russians were killed than anyone else, so it's not surprising that they tried to create some kind of protection to make sure it didn't happen again. This was called the Iron Curtain made up of the buffer states bordering on russia which include Poland, Hungary, Romania and others.

An uneasy balance of power built up between the east and the west mainly based on distrust from both sides which led to MAD (Mutually Assured Destruction).

Reconstruction

The Marshall Plan

Whilst this was nice, Britain had spent all its money on the war and was left with a grey and dismal country where nothing new was built and rationing still carried on.
Nationalisation


1946 Bank of England , Coal & Aviation

1947 Electricity

1948 Gas & Railways

1949 Iron & Steel


The Festival of Britain 1951

(100 Years after The Great Exhibition)

A Larger, prestigious and considered exhibition – partly aimed to boost morale and to show what we could do in terms of building and design
Designed by Gerald Barry – ‘Modernism & Planning’
Together with a young design team – created a major exhibition on the South Bank in London
(a large badly bombed industrial area)



Robert Matthew - Royal Festival Hall


I don’t think it’s a wonderful building, but I think it is wonderful your country has a new building.

Frank Lloyd Wright




All seemed to represent the new atomic space age
(Scientific optimism)

A radical vision of what Britain could look like -
‘A brave new world’

Design and technology were now taken more seriously

The Cinema showed films in 3D with stereophonic sound
The toilets had soft toilet paper!







To the Independent Group American culture was:


Transient          Witty
Expendable Sexy
Low Cost         Gimmicky
Mass Produced Glamorous
Young              Big Business



Richard Hamilton’s analysis of American Popular Culture



  • Hollywood Movies
  • Commercial Television  (1955)
  • Glossy Magazines
  • Consumer Goods

The above were despised by British intellectual conservatives and were interpreted as symptoms of cultural degeneration and commercial greed (vulgar and ‘bad taste’)

Pop Art





'Pop Art is based on the acceptance and use of artifacts, 
mass advertising and press media, and products of modern life:
  Popular Culture as valid art forms in themselves, and,
 subjected to various transformations which increase their impact without destroying the character,
 as material for further artistic reaction.'

Dictionary of Art & Artists




Babyboom
1955  6%  of population Teenagers 
1964  10%  of population Teenagers





There were huge contrasts in aspirations and style between different generations



Notable Design from 1945-1960

Ernest Race - Antelope Chair


Arne Jacobsen - Cutlery

Christian Dior - 'New Look'

MoMA New York - Room

We begin to see styles that are far removed from
High/Classical Modernism, which was often austere, towards a more playful and colourful design aesthetic.
Are we seeing the beginnings of Postmodernism?

The 50s is often remembered as a ‘grey’ period.
Maybe this is wrong…


Seagram Building - Mies van der Rohe 1954-8






Personal TV - RCA Victor

pink cadillac

The 60s



JFK assasination 
Martin Luther King assassination 


Bobby Kennedy assassination 




The Vietnam War

Manny Protests 





Despite this, the 60s was essentially a decade of hope, excitement, aspiration, change and above all a ‘changing of the guard’ – youth was taking over!

Then the space race began with Russia winning the race for first man in space



Shortly followed by the USA with the first man on the moon


The Beatles

The Throwaway Aesthetic


'expendable and transient, popular with the young, witty, gimmicky and sometimes sexy, mass produced and very low cost'

Richard Hamilton


Youth Cultural Design

'One day Carnaby Street could rank with the Bauhaus as a descriptive phase for a design style or legend.'
Design Magazine 1966

Transistor Radio


Which would lead to the walkman, the CD player and eventually the iPod





Fashion provided the opportunity for
•  experimentation
•  revolution
•  a strong code of identification


Print


OZ magazine is great cheers for the heads up chris



Peter Blake and Jan Howarth

60s Design



habitat - young people liked it

classic 60s chair





The 70s


Up to now design had existed on two levels

1. Jand crafted / one off designs, for the wealthy - objects d' art
2. Mass production which usually means mass profit.



Vance Packard wrote a book called 'The Hidden Persuaders' attacking the American system of advertising.

"Advertising analysed the psychological make-up of individuals
 just to prey upon their weakness’ and defects."


After the height of consumerism of the 60s, attacks on this system began to occur whcih led to the Anti Consumerism Campain and Buy Nothing Day.





"Isn’t it too bad that so little design, so few products are really relevant to the needs of mankind?  Watching the children of Biafra dying in living colour while sipping a frost-beaded martini can be kicks for lots of people, but only until their town starts burning down.  To an engaged designer, this way of life, this lack of design, is not acceptable."

Papanek

After this realisation that peoples needs weren't being properly considered in design a number of designers came up with some extremely useful and necessary products, here are a few:

The Neater Eater - London Innovations Ltd.


India Solar Cooker - National Institute for Design

this and below: Radio receiver for the third world -Papanek & Seeger


Wheelchair Gym - London Innovations Ltd.


Ergonomics and Anthropometrics, for designers - Henry Dreyfuss

The Death of Modernism & The origins of Postmodernism 

Brutalism

Uses big chunky shapes, exhibits the structure and values raw untreated materials. 




Postmodernism

  • Return of ornament and wit
  • Rejection of strict rules, room for experimentation
  • Not afraid to reference past styles
  • Chaos over order, there are no answers
  • Nihilism an extreme form, lifes a joke
  • A move away from big 'commercial' religions such a christianity towards older spiritualism like astrology, tarot etc.


"To this day I would define Postmodernism as double coding:  The combination of modern techniques with something else (usually traditional building) in order for architecture to communicate with the public and a concerned minority, usually other architects."

Charles Jenks

Some examples: 

G Plan Basket Chair

Drivers watches



Punk





"Many regard Punk as an evil phenomenon … But in the decorative arts, I cannot help regarding it as something fresh and hopeful … When I walk along the King’s Road and see that young people have had the sheer courage to turn themselves into walking works of art with pink and green hair, with weird tattoos and even weirder make-up on their faces, then I feel there is hope for the arts.  Good art can only begin by an act of Bad Taste – a shocking breach with the conformist past."

Bevis Hillier (Paper to Preston Polytechnic, 1979)




The 80s and 90s 

New romantics
Adam Ant


Robert Smith

Spawn of Satan

90s:


Rave culture begun and everyone was taking e's

 Instead of pets people had small balls of plastic
 It was now possible to simulate killing people for fun
 and manny silly crazes


The mobile phone came into existence as a bulky chunk of plastic and changed our lives forever!

not forgetting this little 'must have'